Atomos Shogun 7 HDR 4K Monitor/ Recorder

£55.00

Standard kit includes:

Atomos Shogun 7 HDR Monitor/Recorder
4x 240GB SSD drives + Reader
3x Battery
2x short HDMI
2x short BNC
Charger and Mains power
D-Tap Power cable
Noga Arm
Sun Hood
XLR split cable
Lanc cable
Case

Daily rate: £55 +VAT

Quantity:
Add To Cart

Standard kit includes:

Atomos Shogun 7 HDR Monitor/Recorder
4x 240GB SSD drives + Reader
3x Battery
2x short HDMI
2x short BNC
Charger and Mains power
D-Tap Power cable
Noga Arm
Sun Hood
XLR split cable
Lanc cable
Case

Daily rate: £55 +VAT

Standard kit includes:

Atomos Shogun 7 HDR Monitor/Recorder
4x 240GB SSD drives + Reader
3x Battery
2x short HDMI
2x short BNC
Charger and Mains power
D-Tap Power cable
Noga Arm
Sun Hood
XLR split cable
Lanc cable
Case

Daily rate: £55 +VAT

  • Shogun 7 Monitor

    Mind-blowing HDR monitoring

    Apple ProRes and ProRes RAW recording and playback

    Designed for professionals that push boundaries with the quality of their videos, this 7-inch screen elevates the image captured by any HDMI or SDI camera to new levels. With 1,000,000:1 contrast ratio and peak brightness of 3000nits, Shogun 7 is the ultimate all-in-one video production tool for creative storytelling.

    Shogun 7 embraces the high production values of RAW and 4K HDR to give you complete control of every aspect of your production, on-set and in post. Meticulously monitor every pixel of SDR or HDR as it’s captured. Record up to 5.7K Apple ProRes RAW* or 4K Apple ProRes directly to affordable SSD drives avoiding the high costs and limitations of SD memory cards. You can even shoot RAW at high frame rates up to HDp240**.

    Add to this asynchronous, multicamera switching and the ability to record in a range of other codecs, and you have more power to achieve your creative vision than ever before.

    *Panasonic EVA1

    **Sony FS Series and EVA1

    Multicamera touchscreen switching

    Live mix & record up to 5 streams

    Take full advantage of 4 x SDI inputs and let Shogun 7 step into the role of a portable, quadview live switcher and recorder on your multicamera shoots. Record up to four 1080p60 streams simultaneously as separate ISOs and then cue and switch in real-time with a simple touch of the screen. Display the resulting mixed output (via HDMI or SDI) live on set. You can even output the switched feed for live streaming. Switching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras.

    Perfect exposure and colour

    Fine tune every detail, while you shoot

    A high-quality viewing experience gives you complete confidence to make educated on-set decisions.

    With Shogun 7’s dynamic zoned backlight, blacks are deeper, whites are brighter, and the details of highlights are crystal clear. See what the camera sensor is capturing with unparalleled precision and use the advanced HDR waveform tools from log or RAW to ensure perfect exposure, colour and white balance. Shogun 7 gives you the control to maximise HDR exposure, while feeling comfortable with SDR finishing in post.

    Simple monitoring tools put every detail of the image within your control. From custom 3D LUTs, false colour profiles, adjustable focus peaking and movable 1:1 and 2:1 pixel magnification. In addition, RGB parade and vectorscopes ensure perfect colors on your calibrated monitor.

    Shogun 7 gives a low budget feature film a cinematic edge

    How do you make a full-length feature film, with flawless, cinematic values when your camera budget only stretches to cameras already owned by the crew? The team behind action comedy, School Fight, solved this by adding a Shogun 7 to their existing rigs.

    The Shogun 7 is at home on practically any camera

    With its ProRes RAW recording capabilities it works with powerhouses like the Canon C300 mkII, Panasonic EVA 1 and Sony FS5 II to create stunning images with maximum detail and latitude for post production. In addition it can transform older cameras like the Sony FS700R into cinematic RAW shooting machines with advanced features like 4Kp60 and 2Kp240 RAW capture.

    Use with your DSLR or mirrorless camera via HDMI to get up to 4Kp60 Apple ProRes and AVID DNx codecs for easy editing and archival quality. Add it to a high-end ARRI, RED or Sony Venice and you’ll get accurate HDR monitoring and all the tools you need to get your job done.

    Amplify the creative advantages of shooting RAW

    Shogun 7 takes RAW data directly from the camera’s sensor and preserves the unprocessed image. This gives you more freedom to adjust and finesse every aspect of your video in post-production finishing.

    Applying ProRes compression technology to RAW image data adds another edge to your creative workflow. ProRes RAW files are smaller than most proprietary RAW formats so you can import, edit and grade faster and more efficiently. ProRes RAW is supported in Final Cut Pro X, Adobe Premiere and Avid Media Composer*

    Dolby Vision

    Give on-set HDR monitoring to your client and creatives

    View what you’re capturing through your audience’s eyes before filming has even wrapped. Use Shogun 7 to deliver content via a Dolby Vision live HDMI out, in real-time, from any HDR camera to a compatible Dolby Vision HDR TV or monitor. Shogun 7 ensures you see an accurate representation of your video in maximum brightness and color detail. Use this accurate reference to adjust exposure and lighting accurately for modern TVs. This not only gives the crew more confidence in what they’re capturing, but also speeds up the finishing process.

  • Product Specification

    Weight

    Without batteries & media 460g / 16oz

    With batteries & media 732g / 26oz

    Dimensions (W x H x D mm) 196 x 110 x 47mm, 7.7 x 4.3 x 1.85”

    Construction High quality lightweight ABS Polycarbonate for durability & portability

    Power

    Operating Power 10 – 20W

    Compatible batteries NP-F series, D-Tap and supporting accessories

    Input voltage (battery) 6.2V to 16.8V

    Battery time (based on 7.4V) 5200mAh – up to 1.5hrs (monitor & record 4K)

    7800mAh – up to 14hrs

    DC In 1 x DC in (6.2 – 16.8V)

    Continuous power

    * Patent pending via optional Power Station

    Touchscreen

    Size 7.1”

    Resolution 1920 x 1200

    PPI 325

    Aspect Ratio 16:9 native

    Colour Standard REC709 HDTV

    Look up table (LUT) support 3D LUT (.cube le format)

    Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit<

    Video Input/Loop Out

    HDMI 1 x HDMI (1.4b)

    SDI 1 x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE)

    Signal Uncompressed true 10-bit or 8-bit 422

    (camera dependent)

    Video Output (Play Out)

    HDMI 1 x HDMI (1.4b)

    SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE)

    Signal Uncompressed true 10-bit or 8-bit 422

    (playback file dependent)

    Supported Loop Out Formats

    HDMI to HDMI 720p 50/60,

    1080i 50/60,

    1080p 24/25/30/50/60/120*,

    2160p 24/25/30

    SDI to SDI 720p 50/60,

    1080i 50/60

    1080pSF 24/25/30

    1080p 24/25/30/50/60/120*,

    2160p 24/25/30

    Video Signal Conversion

    HDMI to SDI 720p 50/60,

    1080i 50/60

    1080p 24/25/30/50/60/120*,

    2160p 24/25/30

    SDI to HDMI 720p 50/60,

    1080i 50/60,

    1080p 24/25/30/50/60/120*,

    2160p 24/25/30

    Supported Formats (Record & Playback)

    4K 2160p 24/25/30

    HD – high frame rate** 1080p120*, 1080p60/50

    HD** 1080i60, 1080i50, 1080p30, 1080p25,

    1080p24, 1080pSF24, 1080pSF25,

    1080pSF30, 720p60, 720p50

    4K UHD downscale for HD monitoring Yes – loop-out & playback (not available in RAW)

    Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3

    Realtime Hardware Encoding

    4K – DCI RAW 4096×2160 to Supported cameras;

    Sony FS700, FS7

    Canon C300MKII, C500 Apple ProRes HQ,

    422, LTDNxHR

    HQX, HQ, SQ, LB

    4K-UHD 3840×2160 8/10-bit 4:2:2 to Apple ProRes HQ,

    422, LTDNxHR

    HQX, HQ, SQ, LB

    920×1080 8/10-bit 4:2:2 to Apple ProRes HQ,

    422, LTDNxHR

    220x, 220, 145, 36

    Onboard Processing

    Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)

    > 60i > 24p (3:2 pulldown)

    Audio In/Out (48kHz PCM Audio)

    HDMI 2 or 8ch 24-bit, camera dependent)

    SDI 12ch 48kHz 24-bit

    Audio 2ch balanced XLR analog in/out Dynamic range >90dB

    Max signal level +24dBu

    Max analog gain +40dB

    48V Phantom Power for Mic

    Remote Start/Stop

    HDMI Auto HDMI Trigger

    Supported Protocols – Canon, Sony, Atomos Open Standard

    SDI SDI trigger camera selectable

    Other LANC control – Slave

    Playback

    Playlist Yes

    Genlock / LTC Yes

    Recording

    Pre-roll record Yes (HD 8s, 4K 2s)

    Custom Timelapse Yes (HD 8s, 4K 2s)

    Meta Data Tagging Yes (10 tags available)

    Supported media

    (Approved List at atomos.com/drives) 4K / HD (50/60/120p*)

    CFast 2.0, SSD 2.5”, HDD (7,200 up to 1080p60)HD

    CFast 1.0, SSD 2.5”, HDD (5,400 up to 1080p30)

    Master caddy case Master Caddy II (included)

    75mm x 105mm x 12mm

    Master caddy dock 2.5” SATA to USB 2.0/3.0

    Supported applications Supported Applications FCPX/FCP7+

    Media Composer 5.0+

    Premiere 5.5+

    EDIUS 6.0+

    Vegas Pro 10+

    Lightworks

    Autodesk Smoke 2015

    XML support FCPX XML native, FCP7 supported with conversion

    (Adobe compatible)

    Accessories included Shogun unit, Custom HPRC Italian made carry case,

    9V-3A AC adapter, Master Caddy II x 5,

    D-Tap adapter, 1 x 5200 mAh battery, Battery charger,

    XLR breakout cable, SATA 3/2 to USB 3/2 HDD/SSD docking station

    Optional extras Sunhood, Power Station, Spyder calibration

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