Sony F55
Sony F55 4K
Kit Includes:
Sony F55
OLED Viewfinder
Arri baseplate / top plate
19mm bar plate / Arri dovetail plate
15mm bars / 19mm bars
Vocas hand grips
2x 128 GB SxS Pro Cards & USB3 Reader
4x V-Lok Battery kit
V loc plate with 4x hi-rose and 1x D-Tap 12V power
Daily Rate: £195 +VAT
Sony F55 4K
Kit Includes:
Sony F55
OLED Viewfinder
Arri baseplate / top plate
19mm bar plate / Arri dovetail plate
15mm bars / 19mm bars
Vocas hand grips
2x 128 GB SxS Pro Cards & USB3 Reader
4x V-Lok Battery kit
V loc plate with 4x hi-rose and 1x D-Tap 12V power
Daily Rate: £195 +VAT
Sony F55 4K
Kit Includes:
Sony F55
OLED Viewfinder
Arri baseplate / top plate
19mm bar plate / Arri dovetail plate
15mm bars / 19mm bars
Vocas hand grips
2x 128 GB SxS Pro Cards & USB3 Reader
4x V-Lok Battery kit
V loc plate with 4x hi-rose and 1x D-Tap 12V power
Daily Rate: £195 +VAT
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Sony F55 4K sensor for gorgeous, super-sampled HD, 2K and 4K
The Sony F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K, QFHD or 4K.
Multiple recording formats includes HD/2K/QFHD/4K on SxS memory and 16-bit RAW 2K/4K on AXSM™ media
Multiple recording formats include MPEG-2 HD422, MPEG4 SStP, XAVC 2K/HD, XAVC QFHD/4K and 16-bit RAW 2K/4K*. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 or AXS-R7 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to 240 fps RAW 2K and 60 fps in RAW 4K recording onto the AXS-R5. Recording directly in Apple ProRes codec and Avid DNxHD codec are also available options.**
* Recording onto the optional AXS-R5 recorder.
** Requires CBK-55PD codec board.
Lightweight modular design to maximise versatility in 2D and 3D
The Sony F55 is exceptionally small, light and modular, letting you build up the right configuration for each job ‐ or each shot. The camera includes cache recording functions and has an easy-to-access customised user menu that sits on top of the setup menu. As well as the choice of formats and internal and external recording options, you can attach a variety of viewfinders, including the revolutionary optional DVF-EL100 OLED viewfinder, PL-mount, FZ-mount and stills lenses, including second-generation Sony PL-mount lenses, and extra long-life Olivine ‐ Lithium Iron Phosphate ‐ batteries. The chassis is only slightly wider than a typical PL-mount prime lens, perfect for 3D rigs. An optional shoulder rig (CBK-55BK) provides best ergonomics, flexibility and usability for shoulder operation.
4K RAW recording at 120 FPS and cache recording are highlights of new AXS-R7 RAW Recorder, Memory Cards and Firmware Ver. 8 for Sony F55 and Sony F5
Sony’s next generation of CineAlta products provides enhanced features for production professionals now shooting in 4K RAW with large sensor cameras; handling large files can be done easily while maintaining the highest levels of image quality.
The new products include an upcoming RAW recorder, the AXS-R7 for the Sony F55 and Sony F5 and higher-speed AXS memory cards. These are complemented by the newest firmware (Version 8) for the F55 and F5, continuing Sony’s development and support of the CineAlta platform by adding new features and capabilities directly based on user feedback.
“These new technologies answer the question of ‘why shoot in 4K 16-bit RAW’? And, demonstrate Sony’s commitment to the Sony F5 and Sony F55’” said Ainara Porron, Marketing Manager, Cinematography, Sony Professional Solutions Europe. “Working in 4K RAW and High Dynamic Range (HDR) opens up new creative possibilities for production professionals who are not prepared to compromise on image quality.”
New RAW Recorder
Compared to previous Sony 4K recorders, the new recorder doubles 4K RAW recording from 60 FPS up to 120 FPS from the Sony F55 camera. For shooting at higher frame rates, the recorder captures 2K RAW at up to 240 FPS from the Sony F55 and Sony F5, for playback with 10x super slow motion.
With the recorder, 4K shooters can take advantage of RAW cache recording at 23.98p for up to approximately 30 seconds while in standby mode, an important feature in documentary or wildlife production where capturing spontaneous action is required.
The new recorder is designed for rugged field performance. A metal filter separates and seals the recorder’s ventilation shaft from the electronics to prevent the entry of dust and water. The recorder’s camera connections are more secure, with a large top bracket that accepts four widely spaced 1/4-inch screws.
AXS Memory
The additions to the CineAlta line also include new high-performance versions of Sony’s AXS memory cards (1TB and 512 GB capacities) with sustained read and write speeds of 4.8 Gbps, and 44 minutes at 59.94p or 22 minutes at 120 FPS. The dual-slot recorder also accepts current A-series of AXS media, but the new cards are designed to support the write speeds required for 4K RAW 120 FPS recording for those who require that level of performance.
Sony F55 and Sony F5 Firmware Version 8
The latest firmware update (Version 8) for the Sony F55 and Sony F5, upgrade license installed, enables support for XAVC 4K Class 480 recording at 23.98p, 24p, 25p and 29.97p. Leading third-party vendors already support XAVC 4K Class 480, for those creative professional requiring a higher data rate version of XAVC.
“These newest additions and updates to our CineAlta platform are all the direct result of user feedback,” Porron added. “It’s no longer about simply delivering a product. It’s about delivering the right products that can grow with a customer and fit within a workflow that is constantly evolving as production requirements change.”
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General
Power Requirements DC 12 V (11 V to 17 V)
Power Consumption Approx. 25 W (while recording XAVC 4K 60p, EVF Off, LCD monitor Off, 4K SDI On)
Operating Temperature 0°C to 40°C
32°F to 104°F
Storage Temperature -20°C to +60°C
-4°F to +140°F
Mass 2.2 kg (without lens, handle, audio box and accessories)
4 lb 14 oz (without lens, handle, audio box and accessories)
Dimensions (W x H x D) *1 130 x 125 x 191 mm (without protrusions)
5 1/8 x 5 x 7 5/8 inches (without protrusions)
Battery Operating Time Approx. 150 min with BP-FL75
Approx. 210 min with BP-GL95A
Recording Format (Video) XAVC (AVC/H.264 High 4:2:2 Intra Profile)
4K: VBR, 600 Mbps max.
HD: SMPTE RP2027 Class100 compliant
MPEG2 HD (MPEG-2 Long GOP)
HD 422 mode: CBR, 50 Mbps max., MPEG-2 422P@HL
*2
Recording Format (Audio) LPCM 8CH (2CH recording/playback), 24-bit, 48-kHz
Recording Frame Rate XAVC 4K (4096 x 2160):
23.98p/24p/25p/29.97p/50p/59.94p
XAVC QFHD (3840 x 2160): 23.98p/25p/29.97p/50p/59.94p
XAVC 2K (2048 x 1080):
23.98p/24p/25p/29.97p/50p/59.94p
XAVC HD (1920×1080):
23.98p/25p/29.97p/50p/59.94p
MPEG4 SStP (1920 x 1080):
23.98p/24p/25p/29.97p
MPEG2 HD (1920×1080):
23.98p/25p/29.97p/50i/59.94i
MPEG2 HD (1280 x 720):
50p/59.94p
*3
Recording/Playback Time XAVC 4K, 23.98p: Approx. 25 min (SBP-64B)/Approx. 50 min (SBP-128B)
59.94p: Approx. 10 min (SBP-64B)/Approx. 20 min (SBP-128B)
XAVC HD, 23.98p: Approx. 70 min (SBP-64B)/Approx. 140 min (SBP-128B)
59.94p: Approx. 30 min (SBP-64B)/Approx. 60 min (SBP-128B)
MPEG2 HD: Approx. 60 min (SBS-32G1A)/Approx. 120 min (SBS-64G1A)
Camera Section
Imaging Device (Type) Super 35mm equivalent Single-chip CMOS
Imaging Device (Pixel Count) 11.6M (total), 8.9M (effective)
Aspect Ratio 17:9
Built-in Filters Clear, 0.9 (1/8ND), 1.8 (1/64ND)
Sensitivity (2000 lx, 89.9% reflectance) Video Gamma: T12@24p (3200K light source)
ISO Sensitivity S-Log2 Gamma: ISO 1250 (D55 light source)
Lens Mount PL mount (with supplied lens mount adapter)
FZ mount (without supplied lens mount adapter)
Latitude 14-stop
S/N Ratio 57dB (Video Gamma, 24p, Noise Suppression OFF)
Shutter Speed 1/24s to 1/6,000s (23.98PsF)
Shutter Angle 4.2°to 360°(electrical shutter)
Slow Shutter (SLS) 2, 3, 4, 5, 6, 7, 8-frame accumulation
Slow & Quick Motion Function XAVC 4K/QFHD: 1-60p (NTSC), 23.98p/29.97p
XAVC 4K/QFHD: 1-50p (PAL), 25p
XAVC 2K/HD: 1-180p (NTSC), 23.98p/29.97p
XAVC 2K/HD: 1-150p (PAL), 25p
White Balance Preset (3200K, 4300K, 5500K), Memory
Gain -3, 0, 3, 6, 9, 12, 18 dB, AGC
Gamma Curve Standard (x6)
HG1, HG2, HG3, HG4, HG7, HG8
S-Log2 Gamma
Input/Output
Audio Input CH-1/CH-2: XLR-type 3-pin (female) (x2), Line/Mic/Mic +48V (AES/EBU) *4 switchable
DC Input XLR-type 4-pin (male) (x1), 11 V to 17 V DC
DC Output 4-pin (x2), 11 V to 17 V DC (max. 1.8 A) with battery adapter
Viewfinder Digital viewfinder interface (x1)
SDI Output BNC (x4), HD mode: SDI 1/2 Line Output, SDI 3/4 Monitor Output
4K mode: SDI 1/2/3/4 Line Output, Display On/Off switchable
Test Output BNC (x1), HD-Y or HD Sync (tri-level) V1.0
Timecode Input/Output TC IN/OUT (x1) switchable
Genlock Input BNC (x1)
Remote 8-pin (x1)
HDMI Output A Type (x1)
USB USB host, type-A (x1)
USB USB device, Mini-B (x1)
Headphone Output Stereo mini jack (x1)
Speaker Output Monaural
Shutter BNC (x1) *4
Wi-Fi USB host, type-A (x1)