DZOFilm VESPID PL T2.1 (90mm Macro T2.8) FF Primes 7 Lens Kit

This DZOFilm VESPID PL Full Frame 7 Lens Set is suitable for use on productions ranging from independent to studio films. The included 25, 35, 50, 75, 100, 125, and 90mm macro PL mount lenses cover full-frame sensors and project a 46.5mm image circle yet are small and lightweight, making them an excellent choice for handheld, gimbal, and drone work.

The lenses feature an internal focus design that minimises focus breathing while keeping the front of the lens from rotating and the lens from changing size while you change focus. The shared position of the focus and iris gears across the lens set makes for fast lens changes with minimal adjustment of lens accessories. An included hard case carries your lenses and protects them during storage and transport.

DZOFilm VESPID 25mm T2.1 Lens

Relatively small and lightweight, the DZOFilm VESPID 25mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount allows you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.

The 16-blade iris, which is consistent throughout the VESPID prime lens lineup, creates round out-of-focus highlights that have a more natural appearance and contribute to the lens’s natural-looking bokeh. The focus ring features 270° of rotation for precise focus pulls, and the iris ring a generous 64° of rotation. Cine-style gear rings on the focus and iris rings make the lens compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems. The lens has a magnetically attached rear filter for ND filters.

This 25mm lens has an image circle that covers a full-frame sensor. When mounted on a camera with a Super35 sensor, it provides you with a tighter shot than if mounted on a camera with a full-frame sensor.

The lenses provide an organic look that is a cross between the modern-day cold and technically precise aesthetic and vintage cinema lenses.

The coated optics help provide natural-looking contrast while helping to control veiling glare and specular highlights, preventing flares from washing out your image.

The 16-blade iris makes for a natural-looking bokeh and creates smooth rounded out-of-focus highlights.

The modern mechanical design allows each lens to have a small size and light weight yet share the same 80mm front diameter and common gear positions for fast lens changes.

The rear of the lens has a magnetically attached rear filter that accepts optional ND filters that help you control exposure without affecting the iris setting or changing your depth of field.

The front of the lens has a 77mm filter thread, allowing you to use optional filters directly on the lens, which is useful when you need filtration when shooting without a matte box.

A minimum focusing distance of 12″ allows you to get up close to your subject.

DZOFilm VESPID 35mm T2.1 Lens

Relatively small and lightweight, the DZOFilm VESPID 35mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount allows you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.

The 16-blade iris, which is consistent throughout the VESPID prime lens lineup, creates round out-of-focus highlights that have a more natural appearance and contribute to the lens’s natural-looking bokeh. The focus ring features 270° of rotation for precise focus pulls, and the iris ring a generous 63° of rotation. Cine-style gear rings on the focus and iris rings make the lens compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems.

This 35mm lens has an image circle that covers a full-frame sensor. When mounted on a camera with a Super35 sensor, it provides you with a tighter shot than if mounted on a camera with a full-frame sensor.

The lens features metal construction to withstand the rigors of daily production.

The common 80mm front diameter allows for quick lens changes as you don’t have to swap out antireflection donuts or adapters to use the same matte box.

A minimum focusing distance of 12″ allows you to get up close to your subject.

DZOFilm VESPID 50mm T2.1 Lens

Relatively small and lightweight, the DZOFilm VESPID 50mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount allows you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.

The 16-blade iris, which is consistent throughout the VESPID prime lens lineup, creates round out-of-focus highlights that have a more natural appearance and contribute to the lens’s natural-looking bokeh. The focus ring features 270° of rotation for precise focus pulls, and the iris ring a generous 58° of rotation. Cine-style gear rings on the focus and iris rings make the lens compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems.

This 50mm lens has an image circle that covers a full-frame sensor. When mounted on a camera with a Super35 sensor, it provides you with a tighter shot than if mounted on a camera with a full-frame sensor.

The lens features metal construction to withstand the rigors of daily production.

The common 80mm front diameter allows for quick lens changes as you don’t have to swap out antireflection donuts or adapters to use the same matte box.

A minimum focusing distance of 14.57″ allows you to get up close to your subject.

DZOFilm VESPID 75mm T2.1 Lens

Relatively small and lightweight, the DZOFilm VESPID 75mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount allows you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.

The 16-blade iris, which is consistent throughout the VESPID prime lens lineup, creates round out-of-focus highlights that have a more natural appearance and contribute to the lens’s natural-looking bokeh. The focus ring features 270° of rotation for precise focus pulls, and the iris ring a generous 68° of rotation. Cine-style gear rings on the focus and iris rings make the lens compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems.

This 75mm lens has an image circle that covers a full-frame sensor. When mounted on a camera with a Super35 sensor, it provides you with a tighter shot than if mounted on a camera with a full-frame sensor.

The lens features metal construction to withstand the rigors of daily production.

The common 80mm front diameter allows for quick lens changes as you don’t have to swap out antireflection donuts or adapters to use the same matte box.

A minimum focusing distance of 2′ allows you to get up close to your subject.

DZOFilm VESPID 100mm T2.1 Lens

Relatively small and lightweight, the DZOFilm VESPID 100mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount allows you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.

The 16-blade iris, which is consistent throughout the VESPID prime lens lineup, creates round out-of-focus highlights that have a more natural appearance and contribute to the lens’s natural-looking bokeh. The focus ring features 270° of rotation for precise focus pulls, and the iris ring a generous 83° of rotation. Cine-style gear rings on the focus and iris rings make the lens compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems.

This 100mm lens has an image circle that covers a full-frame sensor. When mounted on a camera with a Super35 sensor, it provides you with a tighter shot than if mounted on a camera with a full-frame sensor.

The lens features metal construction to withstand the rigors of daily production.

The common 80mm front diameter allows for quick lens changes as you don’t have to swap out antireflection donuts or adapters to use the same matte box.

A minimum focusing distance of 2.3′ allows you to get extremely close to your subject.

DZOFilm VESPID 125mm T2.1 Lens

Relatively small and lightweight, the DZOFilm VESPID 125mm T2.1 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. The lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount allows you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.

The 16-blade iris, which is consistent throughout the VESPID prime lens lineup, creates round out-of-focus highlights that have a more natural appearance and contribute to the lens’s natural-looking bokeh. The focus ring features 270° of rotation for precise focus pulls, and the iris ring a generous 84° of rotation. Cine-style gear rings on the focus and iris rings make the lens compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems.

This 125mm lens has an image circle that covers a full-frame sensor. When mounted on a camera with a Super35 sensor, it provides you with a tighter shot than if mounted on a camera with a full-frame sensor.

The lens features metal construction to withstand the rigors of daily production.

The common 80mm front diameter allows for quick lens changes as you don’t have to swap out antireflection donuts or adapters to use the same matte box.

A minimum focusing distance of 31″ allows you to get up close to your subject.

DZOFilm VESPID 90mm macro T2.8 Lens

Relatively small and lightweight, the DZOFilm VESPID 90mm T2.8 Lens is part of the VESPID series of lenses from DZOFilm and is well suited for independent and high-end full-frame cinematography. This macro lens has an 80mm front diameter, allowing it to work with virtually any cine-style matte box. The small size makes this lens an attractive option when working with drones and gimbals, as well as when shooting handheld or run-and-gun. The interchangeable PL mount allows you to use the fully manual lens on a variety of modern and vintage cine cameras, while the full-frame coverage supports sensors that have an image circle up to 46.5mm for use on cameras with sensors up to full-frame without vignetting.

The 16-blade iris, which is consistent throughout the VESPID prime lens lineup, creates round out-of-focus highlights that have a more natural appearance and contribute to the lens’s natural-looking bokeh. The focus ring features 300° of rotation for precise focus pulls, and the iris ring a generous 68° of rotation. Cine-style gear rings on the focus and iris rings make the lens compatible with cine-style lens accessories such as follow focus units, lens motors, and lens control systems.

This 90mm macro lens has an image circle that covers a full-frame sensor. When mounted on a camera with a Super35 sensor, it provides you with a tighter shot than if mounted on a camera with a full-frame sensor.

The lens features metal construction to withstand the rigors of daily production.

The common 80mm front diameter allows for quick lens changes as you don’t have to swap out antireflection donuts or adapters to use the same matte box.

This macro focus lens has a close focus distance of 10.157″, allowing you to reproduce an in-focus image with a 1:1 object to image size ratio on the sensor.

Each lens in the set has a magnetically attached read filter, allowing you to swap it out with varying strengths of ND filters for exposure control without affecting your iris.