FeelWorld F5 5″ IPS 1080p MONITOR 4K HDMI Input

FeelWorld F5 5'' Monitor

Standard kit includes:

FeelWorld F5 5″ Full HD Monitor
4K HDMI In/Out
2x Batteries + Charger
Sony a7S power lead
Micro HDMI cable
Sun Hood
Tilt Arm

Daily rate: £15 +VAT

Our Thoughts:

The FeelWorld HDMI Monitor is an essential low-cost accessory to mirrorless cameras like the Sony a7S. It gives you a full HD viewfinder that can attach to the top of the camera so that you can really see what you’re doing. It can also power an a7S using a dummy battery and the supplied L-Series batteries. This gives you vastly extended running time (approximately up to 10 hours). Having a 4K HDMI input (and also an output which can be used to transmit the picture to another monitor) means that when you zoom in, you can see the full resolution of 4K for focusing purposes.

It has an amazingly comprehensive list of features including:

– Histogram
– Focus assist
– Zebra patterning
– False colour
– Zoom in
– Image flip
– Image freeze
– Pixel to pixel
– A variety of frame markers
– Sunshade
– Sound

In summary, this is a great little low-cost HDMI monitor for all shoots. With its small design, extensive features and long battery life, the FeelWorld is an asset on any shoot.

Let your Video Shooting Easier
FEELWORLD has been committed to providing the comprehensive broadcast monitoring and solutions for the professional filmmakers.

FEELWORLD Monitor is A Must-have Accessory for Your Shooting Setup
When you’ve put together rigs made up of powerful equipment, you want to be able to see shots that so much work has now gone into getting to that point. No matter the setup, whether it’s a shoulder rig, gimbal, tripod, or handheld, you need a FEELWORLD monitor for all your setups which allow you to see, in perfect definition, make sure your shot in focus and accurate exposure, what you are shooting so that you know that the shot you are working hard to get is truly stellar.
F5 is FEELWORLD Newest Improve User Experience Design

5 inch small lightweight design, ideal both for gimbal and camera setups, full HD 1920X1080 resolution, with Rec.709 professional colour calibration, accurate colour reproduction. 4K HDMI Input/ Output Without Delay. Come with a 360° tilt arm better monitoring angel, instead traditional hot shoe mount. 8.4V DC out, real time power charge for camera. Built in two battery plate: Sony F970, Canon LP-E6.


IPS Pin-Sharp Picture Quality
1920 x 1080, bright and vibrant image anywhere


True Colour · Professional Colour Calibration
Use Rec.709 colour standard
Accurate colour reproduction


Portable and Lightweight Design
The entire display is rugged and compact, making it easy to mount it on your DSLR camera or even a gimbal stabiliser.


Intuitive Controls and Menus
The menu controls are intuitive and easy to use. On the top of the monitor, you’ll get the full button layout: a power button, two different feature buttons which are programmable to the various features that you use the most.


4K HDMI Input & Loop Output
The F5 has 4K HDMI in and loop-out, allowing it to not only display live signals, but also send them out to other monitors simultaneously. The HDMI output can transmission to broadcast monitor, convenience director and photographer monitoring at the same time.


Multiple Installation Methods
Convenient for various angle monitoring
The FEELWORLD F5 has a standard 1/4″ mounting point (bottom, right) for attaching it to the camera and rig. The external 1/4 screw is designed to make the display lighter and thinner.


Flexible Install Both on Camera and Gimbal
If you install it on the bottom of the device, you can also combine the image flip function to maintain the correct orientation of the screen!
F5 equipped with one 1/4 screw, if you also want to fast install at gimbal, you can buy one more 1/4 screw.


Newest Sunshade Design, Easy Install
The F5 monitor is equipped with a sunshade, which allows the photographer to focus more on the video and avoid the interference of strong light, providing a better visual experience.


Brightness Histogram
The Brightness Histogram is a quantitative tool to check the picture brightness.The feature shows the distribution of brightness in an image as graph of brightness along the horizontal axis (Left:Dark, Right:Bright)and a stack of the number of pixels at each level of brightness along the vertical axis.


Embedded Audio Monitoring
The Audio Level Meters provide numerical indicators and headroom levels. It can generate accurate audio level displays to prevent errors during monitoring. The audio meter is green, and will turn yellow when exceeds -20dB, and turn red when exceeds -9dB.


Peaking Focus Assist
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a coloured highlight on the screen where sharp edges appear. You can switch the input line colour between red, green, blue according to different tone of the subject.


False Colours
The False Colours filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change colour based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.


Exposure (zebras)
The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the over exposed areas. 1-100IRE adjustable.


Check Field
Check Field is an assistant function to adjust camera colour settings. Under the check field mode, you can use red, green, blue or mono pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.


Zoom In (4X, 9X, 16X)
Image magnification is HD signal in any part, an amplification for high quality close-up.


Anamorphic Mode
Built-in selection of no squeeze, 1.3× or 2.0× allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera. A 2.0× mag mode, magnifies the center of your image so you can check the focus of your scaled image.


Image Flip
The Horizontal,Vertical and Hor&Ver of the image around flip.


Nine Grid
Zoom one of the images to realise the full screen. You can switch the Mark colour between Red, Green, Blue, White, Black according to different tone of the subject.


Pixel to Pixel
Enable the filmmaker to check the image from the 1:1 signal source without scaling.This feature is essential for capturing optimum detail.


Center Marker & Safe Marker
Safe Mark for View Finding and Composition (80%, 85%, 90%, 93%, 96%, 2.35:1). You can switch the Mark color between Red, Green, Blue, White and Black according to different tone of the subject.


Ratio Marker
(4:3, 13:9, 14:9, 15:9, 16:9, 1.85:1, 2.35:1). Frame blanking zone includes 6 Levels, from 0-6 (Transparent to Black). You can switch the Mark color between red, green, blue, white and black according to different tone of the subject.



• Brightness Histogram
• Embedded Audio
• Peaking Focus Assist (Red, Green, Blue three colours optional highlight over parts of the image in focus)
• False Colours
• Zebra Exposure (1-100IRE adjustable)
• Scan Mode (Under Scan, Over Scan)
• Check Field (Red, Green, Blue, Mono)
• Anamorphic Mode (1.3x, 2.0x, 2.0x mag)
• Image Flip (H, V, H/V)
• Image Freeze
• Center Marker
• Screen Marker (80%,85%,90%,93%,96%, 2.35:1)
• Ratio marker (4:3,13:9,14:9,15:9,16:9,1.85:1,2.35:1)
• Colour Temperature Adjustment
• Nine Grid (Zoom one of the images to realise the full screen)
• Zoom (4X, 9X, 16X)
• Aspect Ratio
• Pixel to Pixel
• Zoom All
• U/D Zoom
• L/R Zoom

• Screen Size: 5″ IPS
• Resolution: 1920×1080 pixels
• Pixel Pitch: 0.0571 (H) x 0.019 (W) mm
• Aspect Ratio: 16:9
• Brightness: 450cd/m²
• Contrast Ratio: 1000:1
• Backlight: LED
• Viewing Angle: 80°/80°(L/R) 80°/80°(U/D)


• Input: 1 X 4K HDMI
• Output: 1 X 4K HDMI, DC Output
• Audio: 3.5mm Stereo Headphone
• HDMI Input/ Output Support Format: 480i/576i/480p/576p; 1080i (60/59.94/50); • 720p (60/59.94/50/30/29/25/24/23.98); 1080p (60/59.94/50/30/29.97/25/24/24sF/23.98/ 23.98sF); 4K UHD 3840×2160p (30/29.97/25/24/23.98Hz), 4096×2160p (24Hz)


• Input Voltage: DC7~24V
• Consumption: ≤8W
• Connector: DC
• Working Temperature: -20°C~55°C
• Storage Temperature: -30°C~65°C
• Install Way: One removable ¼-20 thread points
• Unit Size: 136Lx75.7Hx25.2D (mm)
• Unit Weight: 142.5g

SLV is open as usual - Coronavirus Update - January 2021

With yet another lockdown announced we are staying open for business as TV and Film production has got green light to keep running but have altered the way we work to maintain a safe working environment. As a small but resilient company and we are always happy to tailor our services to your specific requirements.

Here is an update about the procedures and facilities we have put in place.


You must wear a face covering when indoors unless you are a talent in front of the camera but then yo have to keep safe distance.

Studio 2 is now available for full 10-hour day hire only and comes with the the extra room above it as standard to accommodate extra crew numbers. Contact us for more details.

Our studios have fresh air ventilation systems which provide a constant supply of fresh air as opposed to a recirculation system. They are also quiet enough to run whilst recording sound

We have just installed a dual internet system that runs on fast 5G in addition to fibre broadband so that we can offer a very robust internet connection for live video streaming etc.

We can provide a reliable online video stream from the studios so that your client can monitor the shoot remotely

There is remote audio and video monitoring provided from the studio to the client room and both dressing rooms for Studio 1 and to the client room for Studio 2. Studio 1 also have a microphone set up in the green room so that you can communicate remotely via the PA

We have opened a roof garden in addition to the private yard so we can offer clients more outdoor ancillary space

Safe equipment handling

All equipment supplied by SLV is made safe using a combination of quarantining, disinfection, UV-C light and ozone sanitising

Our staff members wear appropriate PPE whilst handling equipment

Workstations are being sanitised before and after use

Our vans are sanitised before and after use

Studio sanitation

Hand sanitiser is provided on main entry to the premises and around the building

We ask that crew and clients arrive with their own PPE, however we have it available to purchase if required

Everyone, including SLV staff, entering the premises will have their temperature measured and we reserve the right to refuse entry of anyone displaying symptoms of Covid -19

Client facing staff wears PPE

The Studio 1 showers are still available to use however we ask that people bring their own towels

Studio 1 and studio 2 are to use separate toilets and kitchen facilities provided if both are in use on the same day

We are currently limiting the maximum number of people inside each studio space to 10 people for Studio 1 and 3 people for Studio 2.

The premises are being sanitised at the end of each working day

We strongly suggest all the productions and clients coming to our studios to read the latest APA COVID-19 Shooting guidelines. You can find the most up to date version by clicking link below:

APA COVID-19 Shooting Guidelines

We now have the NHS Covid-19 App venue QR code in place.


We know that things are very difficult in our industry right now, however we would like to reassure our clients that we are here to help get the industry back on its feet.

Take care and hope to see you soon,

SLV Team