Sony A7S II Camera Hire London

Sony a7S II Camera - Our thoughts on hiring this camera

The Sony a7S II camera is remarkable and can record 4K internally. With the addition of our XLR-K2M, a hotshoe 2-channel audio input and top mic, the Sony a7S II can even record usable sound. Its ability to record Slog-3 and Slog-2 means that you can grade it to match higher-end cameras like the Sony F5 and the Sony FS7. This makes the Sony a7S Mk II very useful as a second camera in tight spots, where a very small camera is needed or in situations where you don’t want to risk using a more expensive camera. The great advantage is that the Sony a7S Mk II is incredibly light sensitive and inconspicuous in situations where you don’t want to attract attention.

We have a fantastic range of lenses for the Sony a7S II camera, including the extremely high quality Zeiss Loxia prime lenses.

As with many cameras now, the disadvantage is that the only vision output is from micro HDMI, a fragile and sometimes unreliable connector. Our Sony a7S Mk II is supplied with an anchor block to protect it, as well as a HDMI to micro HDMI cable to meet the needs of your vision output.

Making strides in the video arena, the Sony a7S Mk ii Mirrorless Digital Camera from Sony offers an impressive blend of sensitivity, dynamic range, resolution, and speed to benefit a versatile multimedia workflow. Revolving around a full-frame 12.2MP Exmor CMOS sensor, the Sony a7S Mk II is capable of internal UHD 4K recording at 30 fps with full pixel readout as well as 1080p recording at up to 120 fps, all in the XAVC S format. For both stills and video recording, the BIONZ X image processor also pairs with the sensor to enable expanded sensitivity to ISO 409600, continuous shooting to 5 fps, and fast intelligent autofocus with low-light sensitivity to -4 EV. Further enabling working in difficult lighting conditions, 5-axis SteadyShot INSIDE image stabilization compensates for vertical, horizontal, pitch, yaw, and roll camera movements for sharper, smoother handheld recording.

Complementing the 4K recording capabilities is a redeveloped recording setup, including the ability to utilize S-Log3 Gamma and S-Gamut3 in addition to S-Log2, for increasing dynamic range values by up to 1300% to better match high-end post-production workflows. For clearer monitoring potential, an enhanced Zebra function better supports working with S-Log gamma settings and a Gamma Display Assist helps to preview imagery with natural contrast by converting S-Log2 and S-Log3 settings to the ITU709 gamma for easier on-camera viewing.

The Sony a7S Mk ii is also characterized by a compact, yet robust, magnesium alloy body design that incorporates a high 0.78x-magnification Tru-Finder OLED electronic viewfinder. With a resolution of 2.36-million dots and a Zeiss T* anti-reflective coating, this finder benefits working in a variety of lighting conditions and is capable of previewing exposure and settings adjustments prior to recording. A rear 3.0″ 1,228,800-dot LCD screen is also available, and features a tilting design to support working from high and low angles. Additionally, built-in Wi-Fi connectivity with NFC allows you to pair mobile devices to the camera for wireless sharing and remote camera control.

Full-Frame Exmor Sensor and BIONZ X Image Processor
A 12.2MP full-frame Exmor CMOS sensor and BIONZ X image processor work together to enable an expansive dynamic range with minimal noise and notable sensitivity from ISO 100-102400, which is further expandable to ISO 50-409600. Coupled with the large individual pixel size the 12.2MP sensor affords, this camera is well-suited to use in low-light conditions.The sensor’s design also features a new-generation RGB color filter array, as well as a gapless on-chip lens design. Together, these two technologies enable truly efficient light-gathering abilities that further reinforce the low noise, high-sensitivity design. Furthermore, an anti-reflective coating has also been applied to the seal glass of the image sensor to minimize surface reflections, glare, and ghosting for contrast-rich, color-neutral imagery.The sensor and processor combination also avail a wealth of performance-related benefits to still shooting, including a Speed Priority continuous shooting rate of 5 fps, or a 2.5 fps shooting rate with continuous AF. The Fast Intelligent AF system employs 169 AF points, which is comprised of 25 contrast-detection points and nine central AF points that have been split into 16 segments each, in order to provide both speed and accuracy in low-light conditions down to -4 EV.
Internal UHD 4K Recording and Full Pixel Readout
Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the 12.2MP resolution, full pixel readout is possible that is void of pixel binning for higher quality imagery with reduced moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p.In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
5-Axis SteadyShot INSIDE Image Stabilization
Packed into the svelte Sony a7S Mk ii is a 4.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
Custom Color Profiles and S-Log3 Gamma
Support is available for the S-Gamut3.Cine/S-Log-3 and S-Gamut3/S-Log3 profiles that enable up to a 1300% wider dynamic range for smoother tonal and color gradations, along with enhanced sensitivity and clarity in shadows and mid-tones. These profiles also lend themselves to greater compatibility within a professional workflow and are well-paired to the Cineon Log gamma curve for versatile post-production grading and color control. The S-Log3 gamma setting also offers an impressive 14-stop wide dynamic range for greater control over the highlights and shadows, while the S-Gamut3.Cine profile can be used to mimic the qualities of scanned negative film with a wide gamut comparable to the DCI-P3 color space.In addition to the S-Log3 gamma, the popular S-Log2 settings are also available.
Zebra and Gamma Display Assist
An enhanced Zebra function is ideally suited to working with S-Log gamma profiles and aids in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier. In contrast, a Gamma Display Assist function is also available that displays scenes with natural contrast when recording with S-Log settings. This function converts imagery to the ITU709 profile for easier on-camera monitoring.
Timecode and User Bit Settings
The Sony a7S Mk ii has multiple timecode recording options to meet different workflows. It has the standard ‘Record Run” mode that only advances the timecode when recording, as well as “Free Run” timecode that advances the timecode even when not recording, which can be great for syncing multiple cameras at live events. It can also record timecode in both drop frame and non-drop frame modes. When recording internally the Sony a7S Mk ii is also able to output timecode via HDMI.
0.5″ 2.36m-Dot XGA OLED Tru-Finder Electronic Viewfinder
With its 4-lens optical system using double-sided aspherical elements the viewfinder faithfully displays what will appear in your recording, including the effects of your camera settings. You’ll enjoy rich tonal gradations and improved contrast. High-end features like 100% frame coverage and a 0.78x magnification enable comfortable and stable eye-level composition. In addition to the electronic viewfinder, a rear 3.0″ 1,228.8k-dot LCD monitor has also been incorporated into the design and can tilt 107° upward or 41° downward to better enable working from high and low angles.
Built-In Wi-Fi Connectivity with NFC
Built-in Wi-Fi connectivity enables the Sony a7S Mk ii to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera’s shutter. Additionally, PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera’s features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery.
 LENS MOUNT
SLT-α65 A-mount Camera with APS-C Sensor
LENS COMPATIBILITY
α6000 E-mount Camera with APS-C sensor
 
SENSOR TYPE
35 mm
SENSOR TYPE
35mm full frame (35.6 x 23.8mm), Exmor CMOS sensor
NUMBER OF PIXELS (EFFECTIVE)
Approx.12.2 MP
NUMBER OF PIXELS (TOTAL)
Approx.12.4 MP
IMAGE SENSOR ASPECT RATIO
3:2
ANTI-DUST SYSTEM
Charge protection coating on optical filter and image sensor shift mechanism
 
RECORDING FORMAT (STILL IMAGES)
JPEG (DCF Ver. 2.0, Exif Ver. 2.3, MPF baseline compliant), RAW (Sony ARW 2.3 format)
IMAGE SIZE (PIXELS), 3:2
35mm full frame L: 4240 x 2832 (12M), M: 2768 x 1848 (5.1M), S: 2128 x 1416 (3.0M), APS-C L: 2768 x 1848 (5.1M), M: 2128 x 1416 (3.0M), S: 1376 x 920 (1.3M)
IMAGE SIZE (PIXELS), 16:9
35mm full frame L: 4240 x 2384 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200 (2.6M), APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M)
IMAGE SIZE (PIXELS), SWEEP PANORAMA
Wide: Horizontal 12416 x 1856 (23M), vertical 5536 x 2160 (12M), Standard: Horizontal 8192 x 1856 (15M), vertical 3872 x 2160 (8.4M)
IMAGE QUALITY MODES
RAW, RAW & JPEG, JPEG Extra fine, JPEG Fine, JPEG Standard
RAW OUTPUT
14 bit
UNCOMPRESSED RAW
Yes
PICTURE EFFECT
13 modes: Posterization (Color, B/W), Pop Color, Retro Photo, Partial Color (R, G, B, Y), High Contrast Monochrome, Toy Camera, Soft High-key, Soft Focus, HDR Painting, Rich-tone Monochrome, Miniature, Watercolor, Illustration
CREATIVE STYLE
Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia (Contrast -3 to +3 steps, Saturation -3 to +3 steps, Sharpness -3 to +3 steps) (Style Box 1-6 also provided)
DYNAMIC RANGE FUNCTIONS
Off, Dynamic Range Optimizer (Auto/Level (1-5)), Auto High Dynamic Range: Auto Exposure Difference, Exposure Difference Level (1.0-6.0 EV, 1.0 EV step)
COLOUR SPACE
sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS™ Color
 
RECORDING FORMAT
XAVC S / AVCHD format Ver. 2.0 compliant / MP4
VIDEO COMPRESSION
XAVC S: MPEG-4 AVC/H.264; AVCHD: MPEG-4 AVC/H.264; MP4: MPEG-4 AVC/H.264
AUDIO RECORDING FORMAT
AVCHD: Dolby Digital (AC-3), 2ch, Dolby Digital Stereo Creator, MP4: MPEG-4 AAC-LC, 2ch, XAVC S: LPCM, 2ch
IMAGE SIZE (PIXELS), NTSC
AVCHD: 1920 x 1080 (60p/28Mbps/PS, 60i/24Mbps/FX, 60i/17Mbps/FH, 24p/24Mbps/FX, 24p/17Mbps/FH), MP4: 1920 x 1080 (60p/28Mbps, 30p/16Mbps), 1280 x 720 (30p/6Mbps), XAVC S 4K: 3840 x 2160 (30p/100Mbps, 30p/60Mbps, 24p/100Mbps, 24p/60Mbps), XAVC S HD: 1920 x 1080 (60p/50Mbps, 30p/50Mbps, 24p/50Mbps, 120p/100Mbps, 120p/60Mbps)
IMAGE SIZE (PIXELS), PAL
AVCHD: 1920 x 1080 (50p/28Mbps/PS, 50i/24Mbps/FX, 50i/17Mbps/FH,25p/24Mbps/FX, 25p/17Mbps/FH), MP4: 1920 x 1080 (50p/28Mbps, 25p/16Mbps), 1280 x 720 (25p/6Mbps), XAVC S 4K: 3840 x 2160 (25p/100Mbps, 25p/60Mbps), XAVC S HD: 1920 x 1080 (50p/50Mbps, 25p/50Mbps, 100p/100Mbps, 100p/60Mbps)
HIGH FRAME RATE RECORDING
NTSC: 1920 x 1080 (24p/12Mbps, 30p/16Mbps), PAL: 1920 x 1080 (25p/16Mbps)
PICTURE PROFILE
Yes (Off / PP1-PP9) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3), Black Gamma, Knee, Color Mode (Movie, Still, Cinema, Pro, ITU709 Matrix, White&Black, S-Gamut, S-Gamut3.Cine, S-Gamut3), Saturation, Color Phase, Color Depth, Detail, Copy, Reset
MOVIE FUNCTIONS
Audio Level Display, Audio Rec Level, Auto Slow Shutter, HDMI info. Display (On/Off selectable), Time Code/User Bit, Picture Profile, Creative Style, Picture Effect, Rec Control, Dual Video Rec, Marker Setting, PAL/NTSC Selector,Gamma Display Assist
COLOUR SPACE
xvYCC standard (x.v.Color when connected via HDMI cable) compatible with TRILUMINOS™ Color
 
CLEAN HDMI OUTPUT
NTSC: 3840 x 2160 (30p/24p) / 1920 x 1080 (60p/24p) / 1920 x 1080 (60i),YCbCr 4:2:2 8bit/ RGB 8bit, PAL: 3840 x 2160 (25p) / 1920 x 1080 (50p) / 1920 x 1080 (50i),YCbCr 4:2:2 8bit/ RGB 8bit
 
COMPATIBLE RECORDING MEDIA
Memory Stick PRO Duo, Memory Stick PRO-HG Duo,Memory Stick Micro (M2),SD memory card, SDHC memory card (UHS-I compliant), SDXC memory card (UHS-I compliant), microSD memory card, microSDHC memory card, microSDXC memory card
STORAGE MEDIA SLOT
Multi slot for Memory Stick Duo/ SD memory card
 
NOISE REDUCTION
Long exposure NR: On/Off, available at shutter speeds longer than 1 sec., High ISO NR: Normal/Low/Off selectable
MULTI FRAME NR
Auto/ISO 100 to 409600
 
WHITE BALANCE MODES
Auto WB / Daylight / Shade / Cloudy / Incandescent / Fluorescent (Warm White / Cool White / Day White / Daylight) / Flash / Color Temperature (2500 to 9900K) & Color Filter (G7 to M7: 57 steps, A7 to B7: 29 steps) / Custom / Underwater
AWB MICRO ADJUSTMENT
G7 to M7 (57 steps), A7 to B7 (29 steps)
BRACKETING
3 frames, H/L selectable
 
FOCUS TYPE
Contrast-detection AF
FOCUS POINT
169 points (contrast-detection AF)
SENSITIVITY RANGE
EV -4 to EV 20 (at ISO 100 equivalent with F2.0 lens attached)
AF MODE
Single-shot AF (AF-S), Continuous AF (AF-C), Direct Manual Focus (DMF), Manual Focus
FOCUS AREA
Wide (169 points for contrast-detection AF) / Center / Flexible Spot (S/M/L) / Zone / Expand Flexible Spot / Lock-on AF (Wide / Zone / Center / Flexible Spot (S/M/L) / Expand Flexible Spot)
OTHER FEATURES
Lock-on AF, Eye AF, Focus lock; Eye-Start AF and AF micro adjustment (both only available with optional LA-EA2 or LA-EA4 attached), AF illuminator (built-in, LED type, range: Approx. 0.30-3m), AF ON
 
METERING TYPE
1200-zone evaluative metering
SENSOR
Exmor CMOS sensor
SENSITIVITY
EV -3 to EV 20 (at ISO 100 equivalent with F2.0 lens attached)
METERING MODE
Multi-segment, Center-weighted, Spot
EXPOSURE MODES
AUTO (iAUTO, Superior Auto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Scene Selection, Sweep Panorama, Movie / High Frame Rate (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) )
SCENE SELECTION
Portrait, Landscape, Macro, Sports Action, Sunset, Night Portrait, Night Scene, Hand-held Twilight, Anti Motion Blur
EXPOSURE COMPENSATION
+/-5.0 EV (in 1/3 EV or 1/2 EV steps), with exposure compensation dial: +/-3.0 EV (in 1/3 EV steps)
AUTO (AE) BRACKETING
Bracket: Single/Bracket: Cont., 3/5/9 frames selectable. With 3 or 5 frames, in 1/3, 1/2, 2/3, 1.0, 2.0 or 3.0 EV increments, with 9 frames, in 1/3, 1/2, 2/3 or 1.0 EV increments.
AE LOCK
Available with AE lock button. Locked when shutter button is pressed halfway. Can be disabled from the Menu.
ISO SENSITIVITY
Still images: ISO 100-102400 (expandable to ISO 50-409600), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-102400 equivalent (expandable to ISO 100-409600 equivalent), AUTO (ISO 100-12800 equivalent, selectable lower limit and upper limit)
 
VIEWFINDER TYPE
XGA OLED, 1.3cm (0.5 type) electronic viewfinder (colour)
NUMBER OF DOTS
2,359,296 dots
BRIGHTNESS CONTROL (VIEWFINDER)
Auto/Manual (5 steps between -2 and +2)
COLOR TEMPERATURE CONTROL
Manual (5 steps)
FIELD COVERAGE
100%
MAGNIFICATION
Approx. 0.78x (with 50mm lens at infinity, -1m-1
DIOPTRE ADJUSTMENT
-4.0 to +3.0m-1
EYE POINT
Approx. 23mm from the eyepiece lens, 18.5mm from the eyepiece frame at -1m-1(CIPA standard)
VIEWFINDER DISPLAY
Graphic Display / Display All Info. / No Disp. Info. / Histogram / Digital Level Gauge
REAL-TIME IMAGE ADJUSTMENT DISPLAY
On/Off
 
SCREEN TYPE
7.5cm (3.0 type) TFT drive
TOTAL NUMBER OF DOTS
1,228,800 dots
BRIGHTNESS CONTROL (LCD)
Manual (5 steps between -2 and +2), Sunny Weather mode
ADJUSTABLE ANGLE
Up approx. 107 degrees, down approx. 41 degrees
DISPLAY SELECTER (FINDER/LCD)
Auto/Manual
LCD DISPLAY
Display Graphic Display / Display All Info. / No Disp. Info. / Histogram / Digital Level Gauge / Shooting information for viewfinder mode
REAL-TIME IMAGE ADJUSTMENT DISPLAY (LCD)
On/Off
FOCUS MAGNIFIER
35mm full frame: 4.2x, 8.3x, APS-C: 2.7x, 5.4x
ZEBRA
Yes (selectable level + range or lower limit as custom setting)
PEAKING MF
Yes (Level setting: High/Mid/Low/Off, colour: White/Red/Yellow)
 
FACE DETECTION
On / On (Regist. Faces) / Off, Face registration, Face selection (Max. number of detectable faces: 8)
AUTO OBJECT FRAMING
Yes
CLEAR IMAGE ZOOM
Still / Movie: Approx. 2x
SMART ZOOM (STILL IMAGE)
M: Approx. 1.5x, S: Approx. 2.0x
DIGITAL ZOOM (STILL IMAGE)
Approx. 4x
DIGITAL ZOOM (MOVIE)
Approx. 4x
PLAYMEMORIES CAMERA APPS™
Yes
LENS COMPENSATION
Peripheral shading, chromatic aberration, distortion
ZOOM RING ROTATE
Yes
IMAGE PROCESSOR
BIONZ X™
 
SHUTTER TYPE
Electronically controlled, vertical-traverse, focal-plane type
SHUTTER SPEED
Still images: 1/8000 to 30 sec., Bulb Movies: 1/8000 to 1/4 (1/3 step) NTSC: Up to 1/60 in AUTO mode (up to 1/30 in Auto Slow Shutter mode) PAL: Up to 1/50 in AUTO mode (up to 1/25 in Auto Slow Shutter mode)
FLASH SYNC. SPEED
1/250 sec.
ELECTRONIC FRONT CURTAIN SHUTTER
Yes, On/Off
SILENT SHOOTING
Yes, On/Off
 
STEADYSHOT
Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
COMPENSATION EFFECT
4.5 stops (Based on CIPA standard. Pitch/Yaw shake only. With Sonnar T* FE 55mm F1.8 ZA lens mounted. Long exposure NR off)
 
FLASH CONTROL
Pre-flash TTL
COMPENSATION
+/-3.0 EV (switchable between 1/3 and 1/2 EV steps)
BRACKETING
3/5/9 frames selectable. With 3 or 5 frames, in 1/3, 1/2, 2/3, 1.0, 2.0, 3.0 EV increments, with 9 frames, in 1/3, 1/2, 2/3, 1.0 EV increments.
FLASH MODES
Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync 2, Wireless 2
EXTERNAL FLASH COMPATIBILITY
Sony α System Flash compatible with Multi Interface Shoe. Attach the shoe adaptor for flash compatible with Auto-lock Accessory Shoe.
FE LEVEL LOCK
Yes
 
DRIVE MODES
Single shooting, Continuous shooting,Speed Priority Continuous shooting, Self-timer, Self-timer (Cont.), Bracketing (Cont., Single, White Balance, DRO)
SELF-TIMER
10 sec. delay/5 sec. delay/2 sec. delay/Continuous self-timer (3 frames after 10 sec. delay/5 frames after 10 sec. delay/3 frames after 5 sec. delay/5 frames after 5 sec. delay/3 frames after 2 sec. delay/5 frames after 2 sec. delay)/Bracketing self-timer (Off/2 sec. delay/5 sec. delay/10 sec. delay)
SPEED (APPROX. MAX.)
Speed Priority Continuous shooting: Max. 5fps, Continuous shooting: Max. 2.5fps 3
NO. OF RECORDABLE FRAMES (APPROX.)
Speed Priority Continuous shooting: 64 frames (JPEG Extra Fine L), 200 frames (JPEG Fine L), 200 frames (JPEG Standard L), 31 frames (RAW), 26 frames (RAW & JPEG), 24 frames (RAW (Uncompressed)), 24 frames (RAW (Uncompressed) & JPEG) Continuous shooting: 100 frames (JPEG Extra Fine L), 200 frames (JPEG Fine L), 200 frames (JPEG Standard L), 59 frames (RAW), 34 frames (RAW & JPEG), 29 frames (RAW (Uncompressed)), 28 frames (RAW (Uncompressed) & JPEG)
 
PLAYBACK MODES
Single (with or without shooting information, Y RGB histogram & highlight/shadow warning), 9/25-frame index view, Enlarged display mode (Maximum magnification L: 13.3x, M: 8.7x, S: 6.7x), Auto Review (10/5/2 sec, off), Image orientation (Auto/Manual/Off selectable), Slideshow, Panorama scrolling, Folder selection (Still / Date / MP4 / AVCHD / XAVC S HD / XAVC S 4K), Forward/Rewind (Movie), Delete, Protect
 
PC INTERFACE
Mass-storage, MTP, PC remote
MULTI / MICRO USB TERMINAL
Yes4
WIRELESS LAN (BUILT-IN)
5 Playback of still images and movies on smartphones, PCs and TVs, Wi-Fi Compatible, IEEE802.11b/g/n (2.4GHz band)
NFC™
Yes (NFC Forum Type 3 Tag compatible, One-touch remote, One-touch sharing)
HD OUTPUT
HDMI micro connector (Type-D), BRAVIA Sync (link menu), PhotoTV HD, 4K movie output, 4K still image playback
MULTI INTERFACE SHOE
Yes
OTHERS
Auto-lock Accessory Shoe compatible with supplied shoe adaptor, Microphone terminal (3.5mm Stereo minijack), Headphone terminal (3.5mm Stereo minijack), Vertical Grip Connector
 
MICROPHONE
Built-in stereo microphone or ECM-XYST1M / XLR-K2M (sold separately)
SPEAKER
Built-in, monaural
 
COMPATIBLE STANDARDS
Exif Print, Print Image Matching III, DPOF setting
 
CUSTOM FUNCTION TYPE
Custom key settings, Programmable setting
MEMORY FUNCTION
Yes (2 sets)
 
SUPPLIED BATTERY
Rechargeable battery pack NP-FW50
BATTERY LIFE (STILL IMAGES)
Approx. 310 shots (viewfinder) / Approx. 370 shots (LCD screen) (CIPA standard)
BATTERY LIFE (MOVIES)
Actual: Approx. 55 min. (viewfinder) / Approx. 60 min. (LCD screen) (CIPA standard); Continuous: Approx. 95 min. (viewfinder) / Approx. 100 min. (LCD screen) (CIPA standard)
EXTERNAL POWER
AC Adaptor AC-PW20 (optional)
 
DIMENSIONS (W X H X D)
126.9 x 95.7 x 60.3 mm
WEIGHT
584 g (Body Only) / 627g (With battery and Memory Stick PRO Duo)
 
OPERATING TEMPERATURE
32°-104°F / 0-40°C
Kit